The Norwegian Ibsen Company has started a co-operation with The Print Room theatre Coronet in Notting Hill, London. The first production will be a visit from The National Theatre of Norway. This guest performance is funded by the InterNational Foundation.
This production of Little Eyolf has been on the repertoire of The National Theatre of Norway for three years to amazing reviews. The Norwegian Ibsen Company’s artistic director Kåre Conradi is a lifetime employee at The National Theatre of Norway and plays Alfred Almers opposite Pia Tjelta as Rita Almers. Tjelta is these days shooting the series BECK in Sweden where she stars opposite Kristoffer Hivju (Game of Thrones).
The visit of this powerful production to The Print Room also marks the beginning of a working relationship between The Print Room Coronet and The Norwegian Ibsen Company. Artistic Director Kåre Conradi has said at several occasions that The Coronet has many similarities to The National Theatre of Norway. The much needed yet very cool choice of bringing the Coronet stage up to the level of first balcony is something he would have loved to experience at The National Theatre of Norway if an opportunity was given. It brings an incredible intimacy into the grand atmosphere of a big classic theatre house.
The co-production from Norway also stars Andrine Sæther, John Emil Jørgensrud and Ine Jansen. More to come!
Thursday 19 to Saturday 21 April 2018. BOOK NOW! The Thursday performance is already SOLD OUT.
Print Room at the Coronet, 103 Notting Hill Gate, London W11 3LB.
Pia Tjelta and Kåre Conradi are returning to The National Theatre of Norway in Little Eyolf.
The play opens on the 29th August 2017.
[ see video ]
Ibsen Company’s Artistic Director Kåre Conradi is appearing in a National Theatret production of Ibsen’s Little Eyolf.
When the dream of the perfect family becomes a nightmare for the children.
We all seem to be concerned with how we relate to our children, but have we forgotten what it really means? Does the facade matter too much? Do we neglect the importance of just being there?
These are the questions director Sofia Jupither poses in Little Eyolf. She has dreamed of staging it for years – and now that this dream has come true, she once again she demonstrates her insight into the world of children.
Eyolf is a child who is not seen. As a baby, he fell from the changing table because his parents, Rita and Alfred, were more concerned with each other than with his safety. In most productions, the emotional warfare between Rita and Alfred is the focus of the play. In Jupither’s version, though, Eyolf is the protagonist. Little Eyolf drowns, and Rita and Alfred – played by Pia Tjelta and Kåre Conradi – do not see what they had until they have lost it.
Of all Ibsen’s plays, Little Eyolf is the one least influenced by the surrounding community. There are no telegrams in locked mailboxes and there is no syphilis; there is only a reference to a steamer. The story is easy to adapt to our own time. The story of the vulnerable child speaks as just as strongly to us today. Ibsen people belong to our time.
The Premiere is Tuesday 9 September and runs until 18 October 2014. Performed in Norwegian, with English subtitles.