All posts in Peer Gynt show

Three Peer Gynt’s come together in a rare performance at Gålå, the home of Henrik Ibsen’s Peer Gynt in Gudbrandsdalen.

This is a co-production between Peer Gynt – Gålå and The Norwegian Ibsen Company.

This famous outdoor arena visited by 3,000 audience members a day welcomes three of Norway’s most celebrated actors. Dennis Storhøi, Kåre Conradi and Norway’s grand old man, Toralv Maurstad have all played Peer Gynt for many years and in different ways have Peer shaped their lives.

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Kåre as Peer Gynt in India

Kåre has just returned from the highly successful first Ibsen Theatre Festival in Mumbai, India.


Photos: Helge Lien

For the last two years, awake or dreaming, I have had only one thing on my mind-Ibsen. Immersed in adapting Peer Gynt in Hindi, my mind has been working on having an Ibsen Theatre Festival in Mumbai. Finally, Peer Gynt is ready as Pir Ghani and the date for the festival draws near. My dream has been realized.

Born under the Zodiac sign, Pisces, (a sign I humbly share with Henrik Ibsen), in a city on the outskirts of the vast, lonely deserts of Rajasthan, perhaps it was destiny that I would be drawn towards water, inspired by Neptune, God of springs, rivers and the seas. And as the Piscean dreamer, I have been initiated from birth into a world of fantasy, making my several worlds between deserts, water and mountains explode into another sphere of fantasy, the theatre.

It was in this world that I came upon the work of Henrik Ibsen. Then in 2010, I was invited to adapt and direct a play by Ibsen for the DADA Festival in New Delhi. Somehow, I was fascinated by the possibilities that The Lady from the Sea offered, especially in the folk tradition. And that was the beginning of my ‘obsession’ with Ibsen. As I worked on the script, placing the story in the arid areas of Rajasthan, it seemed to me as if Ibsen in the 19th century in faraway Norway was addressing issues in Indian society! I could almost feel the relevance of Ibsen in our society even today and I realised that culturally and emotionally, Indians and Norwegians were not too far apart. Ibsen had managed to encapsulate our concerns– women’s issues, relationships, family ties in a changing society—with such skill and understanding, that each one of his readers could empathise and connect with his characters. The adaptation, titled Mareechika (Mirage) was a great success and I rode high on the waves that hit the shores of India and Norway, literally, since subsequently, thanks to the Norwegian Embassy in India, we actually crossed the seas to Norway as invitees to the Ibsen Festival in Oslo in 2012.

My love affair with Ibsen reached a climax when I saw that Ibsen was an icon for people from all walks of life. My horizon expanded and I realized that like Varanasi, Oslo too is a city of temples, its theatres, where people worship their literary gods in awed silence.

Like one obsessed, I saw everything associated with Ibsen and in that chill weather, I embraced him like a shawl, wrapping each memory into my very being. And in the course of my visit, I met three wonderful ‘Ibsen’ people—Kåre Conradi, Ruth Wilhelmine Meyer and Helge Lien. Their performances impressed me so much that I was determined to see these artistes perform before an Indian audience. Thus began the idea of an Ibsen Festival in Mumbai. Ruth is singing on Ibsen’s themes in jazz form while Kare will give an hour-long performance of Peer Gynt which we have seen him present at Oslo. It will be a challenge indeed for our theatre group performing “Pir Ghani” to witness his unforgettable performance.

We are indeed grateful to the Norwegian Embassy for making the Ibsen festival possible.

The first Ibsen Theatre Festival in Mumbai runs from 31 October to 2 November 2014.

Peer Gynt at Karljohansvern

With the fjord and Østfold as a backdrop, with the Navy Band as a musical powerhouse, Henrik Ibsen’s Peer Gynt was staged outdoors at Karljohansvern late this summer. Altogether there were 10 performances with Kåre Conradi as the lead role of Peer Gynt. Kåre Conradi and the Navy Band have been partners before. Now they’ve joined forces. Twenty members of the Masken Group are also among the cast.

photo credit: Jesper Nordahl Finsveen

Artistic Director of the Theatre IbsenAnders T Andersen, explains the importance to the theatre group to use local resources whenever they can. “We’ve heard good things about the Masken group and we are looking forward to becoming acquainted with the theatre forces this town is obviously full of. Both parties have mutually benefit from this, says Andersen. He’s particularly happy that Corey Conradi has agreed to star in the lead role of Peer Gynt.”

“Grounded Peer Gynt”
Tønsberg Blad writes ”Corey Conradi has been assigned the role of Peer, who is self-sufficient through thick and thin, in everything. He carries the role effortlessly all the way through to the last sentence. Peer is on stage almost constantly, and it’s a real tour de force. Conradi with Sylvia Salvesen (mother Aase) makes her moment of death one of the many emotional moments in the show. It is beautifully done through a little dance, and thankfully not in the sled as we’ve seen so many times before. Conradi acts so that we are spellbound by his storytelling, he lies so well that we believe in him. He is an amazing actor, musical to his fingertips.”

“Humor, insanity and slightly vulgar”
Gjengangeren writes ”Corey Conradi drives game forward with great energy and unmatched enthusiasm, he engages and moves and makes us forget that we are slightly cramped, that Ibsen uses a long time getting his message across and that the summer is undeniably about to turn into fall.”

Moving and lush Peer Gynt”
Telemark Arbeiderblad writes ”Before the nearly three-hour performance is finished, it is clear that Peer in Corey Conradi’s hardworking character has the ability to engage us once again.”

“Magnificent premiere of Peer Gynt”
Vestfold Blad writes ”Kåre Conradi starred as Peer when Peer Gynt premiered on Wednesday night in front of a packed grandstand at Karljohansvern in Horten.”

An interview with The Edinburgh Reporter

“You switch from being the narrator to the character very easily, and it made me think of Eddie Izzard.” Bob Doherty, The Edinburgh Reporter