Ibsen Company’s Artistic Director Kåre Conradi is appearing in a National Theatret production of Ibsen’s Little Eyolf.
When the dream of the perfect family becomes a nightmare for the children.
We all seem to be concerned with how we relate to our children, but have we forgotten what it really means? Does the facade matter too much? Do we neglect the importance of just being there?
These are the questions director Sofia Jupither poses in Little Eyolf. She has dreamed of staging it for years – and now that this dream has come true, she once again she demonstrates her insight into the world of children.
Eyolf is a child who is not seen. As a baby, he fell from the changing table because his parents, Rita and Alfred, were more concerned with each other than with his safety. In most productions, the emotional warfare between Rita and Alfred is the focus of the play. In Jupither’s version, though, Eyolf is the protagonist. Little Eyolf drowns, and Rita and Alfred – played by Pia Tjelta and Kåre Conradi – do not see what they had until they have lost it.
Of all Ibsen’s plays, Little Eyolf is the one least influenced by the surrounding community. There are no telegrams in locked mailboxes and there is no syphilis; there is only a reference to a steamer. The story is easy to adapt to our own time. The story of the vulnerable child speaks as just as strongly to us today. Ibsen people belong to our time.
Performed in Norwegian, with English subtitles.
REVIEWS: The critics all praise Little Eyolf that recently finished its third run.
“Pia Tjelta and Kåre Conradi succeed in an unusually clear Little Eyolf.”
“Merciless on complacency”
“When Little Eyolf ends in a black with a glimmer of hope that both shakes and pains,
it is an Ibsen-triumph of which Jupither from all of her heart can thank Tjelta and Conradi.”
“An extraordinarily well played and musical production of Little Eyolf.”